La Mariée était en noir (The Bride Who Wore Black), 1968
Dir: Francois Truffaut
December 29, 2009
This Francois Truffaut thriller is based on a novel by William Irish, whose books had been adapted by Alfred Hitchcock on many previous occasions, so you can tell that the Hitch worshiping is continuing. The ominous musical score, written by Bernard Herrmann, another frequent Hitchcock collaborator, is probably the best part about this film. Jeanne Moreau stars as a woman whose fiancé is killed in a freak accident by five men. Utilizing a series of disguises, Moreau, never one for excuses, tracks down all five culprits, sexually enslaves them, and then engineers their deaths. And Tarantino claims he never saw this film. Yeah right, you fucking film geek. If you ever watch this, sit back and laugh as you see how much of a thief Tarantino is. As for the film itself, I'm starting to think that Truffaut was rather too ponderous, subtle and/or out of his element every time he tried to get into Hitchcock territory. It's stylish enough, and thrown in are a boat-load of cinema/suspense cliches, but the production values are surprisingly lackluster. It does manage to build some effective suspense toward the end, but overall, it's not really that great. So totally the type of film that Tarantino would rip off.